My current upstairs living room system

Dawned on me a while back that I have enough stuff laying around that I should set up another system upstairs in the living room. While the Mac 275 is not the best match for the B&Ws, the room is smaller than it looks in the picture. I sit less than twelve feet back, and don't listen that loudly up there. This is strictly two channel, no surround sound. The component list is as follows:

  VPI HW-19 turntable with the optional TNT heavy platter, Syrinx PU-2 gold tone arm with an older Dynavector Ruby cartridge stepped up through a Denon passive transformer.

The Acurus Act 3 is mainly used as a Dac for the Samsung BluRay player, and also for remote volume and subwoofer crossover for everything except the turntable. The table feeds directly into a Dayton Wright SPS mk III preamp directly into the Mac amp.

I also have a Denon Laser Disc player and a HP PC that I use for Internet TV, Pandora, etc. The  Audioquest Dragon USB Dac is used with the PC (see my earlier post). The speakers are the 801 matrix series IIIs. Power conditioner is a Tice Solo. Sub I just a mid priced Paradigm, for serious vinyl listening I don't use it.

Things cycle back.........

  In the hospital last week and bored out of my mind (another story) and checking my email. I have several Ebay saved searches, and get daily email blasts from each. Up pops this classic Kenwood KD-500 synthetic granite table with an SME 309 arm (!) and a Shure V15xmr (!) cartridge.  My first thought was "Doesn't go with, what a waste"!

    Anyway, looked at the ad again, had one of these arms and the cartridge years ago, sold them both too cheap by today's values. The arm itself is still current and sells for $2200. by itself!! Some quick math and I determined his buy it now price was good for just the arm and cartridge. Reading his description, it appears as if this were a project that got set aside years ago and later finished. I could scavenge what I wanted from this and put the table on Dreggslist.


    So buy it now I did, and it was on its way from North Carolina. Excellent communication from a nice guy named Paul with 100% positive feedback.Said he had only played 6-8 records on this.To look at it I believe him, the arm and cartridge are almost perfect!


    He also mentioned he would be including whatever accessories he had laying around, I didn't give that too much extra thought.

  A couple of delays because he wasn't happy with the way he packed it, but it showed up about a week later.Got a little freaked when I saw the stylus guard was up, but no casualties.



   I opened the separately shipped box of accessories first:

 
  Needless to say I was blown away! Every once in a while you meet somebody like this, and he was obviously getting out of analog (or maybe hifi in general). In the box was a:

               Mint complete discwasher disckit, with the discwasher, SC-2 stylus cleaner, Zerostat static pistol complete with fluids and the solid walnut storage tray /dustcover.

An Audio Technica AT6002 "dust bug", opened, but never used,

A curious Maxell automated anti static device of which I had never seen, new, never used. At first I thought it must be vintage, but it is still available on Ebay and Amazon. Don't think I will be using it.

An Audio Technica    three cartridge storage case

An Audio Technica record stabilizer (weight clamp).

A Decca record brush

StyLast stylus cleaner

A fancy machined LP Gear record level in its case with a nice cloth bag.

Another (partial) large bottle of Discwasher fluid

 Manuals, boxes, all tools and accessories, and literature for the table, arm and cartridge.

 I just kind of stared in awe at all this stuff, talk about surprised!

Anyway, proceeded to mount the arm and cartridge on my Sota Cosmos (this was actually the arm that came on it when I first bought it years ago).

 HUGE difference over the Sumiko MMT that I had on there! I used the MMTs on both my Sotas  for universality (if that is a word) to be able to pop all my cartridges in and out quickly. I still have one on my rosewood Star.

  Every once in a while it goes your way. With the exception of the dustcover springs being worn out on the table (it doesn't stay open}, all is wonderful. I will put the table (a classic) on Dreggslist as soon as I clean it up. Trying to decide on whether to put an arm on it, I think enough people have SME type arms around that it will sell quicker cheaper, without an arm.


                             The Cosmos is now back to its full glory of when I first got it. Never should have sold this arm to begin with!

Happy 4th of July!

What better way to demonstrate the true American pride than having the most American hifi company McIntosh  featured on national news!

<http://youtu.be/gOcdeOMtofw

Happy VD!

                      Happy Veteran's Day! Or Memorial Day as the calendars would label it. A big thanks to all who serve and have served our country. I had no chance to catch any parades this year, kind of like to see the drum and bugle corps in action. Inspiring, another example of music motivating. Powerful, driving, uplifting.

 I never served, but I had friends that did. Viet Nam. A few perks, but not worth the trauma they came home to. I won't get too political here.

 One of the few good perks was the PX (or BX, depending on what branch of the military you were in). Almost everybody bought audio gear whether they wanted it or not, it was so cheap. Mainly Japanese gear, Pioneer, Kenwood, Akai, Sansui. A friend's brother came home with a monster Pioneer system, table, receiver, four speakers. Cassette hadn't been invented yet, at least as a hifi medium. I was in awe, and spent many hours listening to this.

  The only issue was as it were occasionally models only released in Europe or Asia, repairs could be a problem. I ran into this during my retail days, as I couldn't cross reference some of the models. They had no value in trade, parts were not obtainable. If you were somewhat savvy, you researched this a little before you bought to see if the same models were available domestically. I saw people with huge systems that weren't even into hifi!  Many other products were available at a discount to service people, but Hifi seemed to be amongst the most popular.

Ugliest speakers

WAF, or wife acceptance factor was a term I dealt with in the '80s, in the heyday of my career in retail audio. There were certain products then that you knew if the man were going to run it by his wife/girlfriend  you were dead in the water. First and foremost, the Dahlquist DQ-10s. Especially sitting on their optional stands.I always thought they had a classic look, but basically just big square screens.

          What got me thinking about this subject, some of the current highly recommended very expensive speakers covered in the magazines, well I hate to say it- would scare the pants off you if you walked into a room with lights off!

   Vivids on the cover of this month's Stereophile. Honest to God, would you blame your wife for not wanting these? If she did, I would have to seriously re-evaluate her. What are they thinking? No doubt I would nickname these "Casper". Or something from Dr. Seuss..........

  Interesting bit of trivia, one of the designers for the B&W Nautilus is who also designed these.(I have purposely omitted novelty speakers from this entry, there are far too many). These were not designed as novelty speakers, but as a statement product.

 Although not as radical, ugly to me and definitely not something I would spend the $$$ they command are the YG acoustics brand.I'm sure impeccable build quality, wonderful sound, but  aesthetics just leave me cold.

 Now, mind you I'm not saying I haven't owned my share of ugly speakers in the past. Not saying I can't also  be a sucker for marketing and merchandising. 

 I had two or three pairs of DQ-10s. I also had Pioneer TZF- 700s (recently, if you have been following this blog)

    Celestion glass speakers (although I only bought these for the way they looked, I didn't consider them ugly. Some guy in Tennessee had a local relative drive a couple of hours to buy them from me).

                 Other historically love it or hate it speakers have included models from Spica

The Angelus

TC-50

And my vote for the ugliest speaker of all time- The Plasmatonics Hill Type-1.

Of course, as they say, beauty is in the eye of the the beholder. Aesthetics are waaayyy too important to me. Sometimes they go out of their way to be ugly. We certainly remember them, don't we? Surely at some point you owned an ugly speaker.Be it a Bose 901,Dahlquist,Spica, whatever,not just talking about a huge vinyl wrapped ugly doggie coffin but a truly bizarre speaker.

Mordecai B. Lipshutz (1949-2014)

 

On Sunday March 9th Rochester lost another part of its great musical heritage,former WXXI music host  Mordecai  Lipshutz.

"We are saddened to hear the news of Mordecai, who was the voice of classical music in Rochester for more than 30 years," said WXXI President Norm Silverstein in the statement announcing Lipshutz's death. "His soothing voice, incredible knowledge of Classical music, and his music selections – made him everyone's favorite afternoon drive home companion."

 I can remember tuning into his show when I wanted to seriously evaluate an FM tuner, between the engineering and the quiet,quality  signal WXXI definitely did classical music justice in Rochester.

I can also remember  Mordecai as a customer at JB, he would bring in his personal McIntosh tuner for servicing, and he also had one of the original Linn LP 12 tables. I believe it had an SME arm, I can't remember for sure. Interesting enough, I seem to remember him having the same disdain for digital sound as I when it first came out. Digital was predominately classical music initially.

 He would often show up for the clinics, I remember a Denon tape clinic specifically, we had a huge turnout, cleaned and demagnetized decks, and gave a free sample Denon blank cassette. Mordecai came by near the end of the day and proceeded to talk my ears off! I think he sensed I was tired, but anyway I certainly remember him as being one of the more colorful characters  I have known in the industry.

 He will be sadly missed.

Mordecai B. Lipshutz

Mordecai B. Lipshutz

         

Mordecai B. Lipshutz

Mordecai B. Lipshutz

Mordecai B. Lipshutz

Audiophile record labels

One of the most exorbitant purchases I can remember in my younger days of playing with this stuff is when I got my first job in it with Lafayette in the early '70s. I would stop at Craig Audio Lab on Ridge rd. on my way home from work.If you were not a Classical music fan Dave would pop on something else, usually pretty obscure. I listened to the Large Advents often there, my favorites but at 17 I just couldn't swing a pair.

  Anyway, he started playing this really bizarre instrumental, and it made the Advents sparkle! It was a new record from a company called Sheffield Labs, and you could buy it for $10. TEN DOLLARS? Mind you this is 1973. You could get a steak dinner for two, let alone three normal records for the same price! It was Thelma Houston and Pressure Cooker. "If they are going to go through all this trouble why not use somebody good?" "They can't afford to."  OK.  

This album kind of developed a cult following, kind of put the direct to disc recording technique on the map, and I can remember walking into Maynard's Sound World on State St. and seeing a budget $300. system with a Garrard changer set to repeat playing this album over and over. Yes, I did buy it.(the record, not the system). I still have it. My original 40 year old copy.

Sheffield was a company that went on to release several more offerings, All great quality, and the early ones were about as all analog as you could get, not even any tape recorders involved! The band played, the cutting stylus was working. Not sure how many of these are valuable today, as none of them were really classic albums. I still have several. Amanda McBroom, Lincon Mayorga, the Dave Grusin above is very good.


                                                                        TELARC

The Telarc label surfaced a couple of years later, and had almost exclusively classical music. Featuring their Soundstream digital recording process, they had unbelievable dynamic range, especially for a record! The bass drums slammed! Famous were the cannon shots on 1812 (pictured above). Magnified the groove looked like a Z! Cartridge companies bragged about being able to track it. The better tables I played it on couldn't, the cheap BSRs could. These albums were for the most part hard sounding early digital. Great for demo, though. Made speakers sound great, as long as it was a short listening session!




                                                   MFSL/MOFI/  MOBILE    FIDELITY

Probably the most popular of the audiophile labels, they continue to thrive today. Half speed mastered means simply that a master was made with the cutting stylus traveling at half the normal speed, allowing for more detail and a cleaner mother image. A more expensive way to make a record, but usually better.  I must have played the Dark Side of the Moon and Supertramp Bloody Well Right  a thousand times during my hifi demo days. To this day if I never hear either song again it would be OK. Most of these we sold for $15, outrageous in the day. I would constantly get people returning them for the tinyest little glitch or pop, People would expect them to be perfect. MFSL did not de-hone their records, so you needed to play them a couple of times."For that kind of money....." Whatever. We would just keep it and use it for demo.

 Funny, I went to the Record Archive a couple of nights ago, and most of the off the shelf regular releases were $27-30!

 I probably have 50-60 Mobile Fidelitys, some fairly new (Patricia Barber, Metallica, Grateful Dead Skull and Roses). The Beatles box set pictured above is probably the greatest coulda-shoulda-woulda in the record world. A smart colleague of mine back when it first came out bought two, one to keep and one to play. $300. each at the time, I thought he was crazy. Today they range around $700- 1000. for a clean used set, and even more for ones still sealed! I do not own one of these, but have enough of the other MoFi Beatles releases that I don't feel I need it.

My most treasured  Beatles records would be mint condition monos, a couple dozen or so that a friend gave me a while back,virtually unplayed.  I still look for used MFSLs, often will buy them even if I'm not crazy about the artist (read Air Supply). They probably have the highest resale value of any of the audiophile labels. A word of caution- there have been differences in these over the years. While they were all cut at half speed not all were on good thick vinyl. There was a time when MoFi was more serious about their gold CDs, although they never completely gave up on vinyl. Safe bet- the lower the serial number the better the specimen.  They dabbled a bit in a few other products, a couple models of speakers, accesories, etc.




                                                              Nautilus Super Discs

 Probably the most significant competitor for MFSL, Nautilus had some significant titles. I actually liked  them as well, some of my all time favorites are on Nautilus (Quincy Jones the Dude, Fleetwood Mac). I also will snap these up whenever I can. To the best of my knowledge they are no longer in business. The quality was equal to that of MFSL.




   Other audiophile labels

 A few other companies jumped on the bandwagon eventually, CBS with their Mastersound series, RCA Red Seal, M&K Realtime, Proprius, Gale, Crystal Clear, Reference Recordings,  and others.

There are a number of newer specialty companies popping up today that are releasing new vinyl, Analogue Productions being one of the more prominent. Impex, OGR/ Original Recordings Group, and Speakers Corner being some of the less than well known offerings to recently surface.

The quality of off the shelf vinyl has risen tremendously,as have the prices. There is not as obvious a difference as there used to be in comparing to the audiophile labels. Still, if you get a chance to pick some of these up they are cool.

AND NONE OF THEM CAME WITH ANY FREE DOWNLOADS!

An Audioquest amazing bargain

As a regular Stereophile subscriber for over three decades now I have read my share of articles and reviews on big $$$ components of all sorts. The budget components are interesting as well, although usually not enough so that I would give more than a casual glance at them. The rave reviewed $129. Pioneer SP-BS22 speakers for example look great in the magazine, to look at them in real life they would make a great pair of headphones.  

 

Regular readers of this blog know that I am no fan of digital audio, although I will admit it has come a long way since the screeching CDs of the mid '80s. My living room system has a home theater PC that I get my tv on (yes, free from the internet), and also enjoy Pandora for casual listening.

 

 

 

 

 

 

So I have been curious about some of the newer USB dacs that have recently appeared on the market. The Audioquest Dragonfly ($250.) is one that has had some rave reviews for a number of months now, and this month's issue mentions a new 1.2 version that is supposedly improved and sells for $149,  $100. less than the previous version. A quick bit of scouting around and my friends at the Stereo Shop had the older version for $99.

 

 

I was bored, the weather was nice, and I figured "ah, what the heck". I got in my car and went to the Shop.

 

 

 This also gives me the chance to pop in on my friend Mark, who owns the CD Exchange and is also an audiophile.

 

 Mark had a newly reissued first time on vinyl copy of the  Ani Di Franco album "Not a Pretty Girl", and I felt what better way to justify a digital purchase than by buying an analog record!

The recording of this is spectacular, by the way. Obviously remastered for vinyl, not just a warmed over CD mix.

 

Anyway, by the time I made my way in to the Stereo Shop to see my friend Bob, there was a guy  actually bringing a Dragonfly back for a refund. What are the odds? Said all it was was louder than what he was using.

 

 

I made my way home and plugged in the Dragonfly. Setup was straight forward, intuitive, and less than five minutes. I switched on Pandora and within a couple of minutes the difference was obvious. What's not to like? While my allegiance is still to analog, this is a welcome addition- very listenable. A noticeable improvement over the Acurus Act 3 I was using (yes, I know this is antiquated technology,but I told you I am not into digital).

 Plus it frees up the coax S/PDIF on my PC for another future use.

 

 

I would highly recommend this to anybody looking for a cheap upgrade and improvement in their computer's sound.  It basically replaces your sound card without any wires or soldering, and it works great as a headphone amp as well. I only wish it were a little wider on top and had RCA jacks as opposed to a 3.5 mm jack, but you can't have it all, I guess.

 

 

 

 

 

 

 

Inner Demons (or how impossible it is to find a 5AR4 tube in Rochester on a weekend)

We all have our occasional technical traumas. Whether it's a glitchy CD, an arcing vacuum tube, a blown woofer, a corrupted data download, sooner or later something smacks us in the face.
Maybe whimsical, maybe traumatic, maybe even devastating. I decided I wanted more volume in the family room, 801s are wonderful, but tired of having to turn the volume up to 11. Room too big, too dead. Concrete/brick  lower family room.

Pushed them aside for now,would like to move them upstairs at some point. Need help.(See the New Years resolutions in the previous post.


  Anyway,bored,so  I reassembled my way more complicated biamped home brew concoction Altec Manta Ray horn/ JBL pro woofer (22 something) in Altec cabinets with a TDL custom active outboard crossover.(Whew!).


   Yes, that is as complicated as it sounds, but not new, I have done this before.

   Ming Da 30 watt SET triodes running the horns, Decent solid state amp running the woofers. Like the flexibility of biamping. Plus now I have all the headroom I want. 30 watts on these horns is like a bolt of lightning in a fish pond.  Looks ugly in a cool sort of way.


   Worked great for a few nights, the last couple my system was dead. I don't mean dead dead, everything lit up, just no sound. Did the usual switch sources, eliminate this, swap that, loose interest.
 Go upstairs and eat. The next night, same again.


Decided yesterday to get serious, and became convinced the culprit was the 5AR4 rectifier tube in my FAP V-1 preamp. Didn't look lit, felt cold, all the other tubes were lit. Didn't think this possible, as the rectifier is part of the power supply, how could the other tubes be lit? Oh, well.

                                             

The culprit?

   Thus began my quest.

  At work on a Saturday, crazy busy, a limited time if at all to run out and grab a tube.Closest obviously would be best.

My first thought- My buddy Joe. He would surely have one and he is right around the corner. Whoops! He is on a cruise until the end of the month.

Next- The Guitar Center. These rectifiers are commonly used in guitar amps as well. "Sorry, we are out of stock but I can order it for you (Groove Tubes, $30!).

Rowe, a couple of a/v specialty stores in Henrietta, The Stereo Shop, no one within a few miles had a 5AR4.

  Finally felt some promise from a music store on South Ave, called them as soon as they opened at 11. "Sure, probably, but  I need to wait until someone else gets in to look for it, I am all alone in the store". He took my number and promised to call me back.

  Three hours went buy, I called back and the guy had left. "He went home because he worked 6 days this week and needs to watch his niece blah blah blah. He will call you Monday".

 Explained that I wanted to get one this weekend and he got all defensive!
"Well, when you call two hours from closing on a Saturday blah blah blah!".

Explained that I didn't, called right at 11 when they opened.

 So number two  promised he would try to help me, also took my number.

 Another couple of hours went by, no call, so I tried a third time.

 "Yeah, I am looking right now, I'll call you back in a couple of minutes".

 Got home at 6:30 Saturday night and had a message- "Sorry I really did try". Anyway, Sound Source will have one of these, just didn't have a chance to run over there.

  Curiosity got the best of me, and I pulled the tube out and tested it.

  Fine.

 Don't know if it wasn't seated properly or what, but it turns out I didn't need a tube at all.

    Demons?

  Yeah, but at least I don't have to call the idiots on South Ave. anymore.

Happy New Year!

  Happy 2014!

 Have you made your resolutions?

I have made mine.

I will stop dumping on Craigslist, obviously the bigger something gets, the more people will attack it, especially me.

 I will stop dumping on CD's, dying format anyway. The new High Resolution Digital downloads have easily surpassed them,and I promise not to try them.


I will stop asking my friends to come over to help me move my heavy speakers.


I will stop Googling to death the things I am considering purchasing.

I will clean my equipment. Not just dust, dustcovers,dusting, scrubbing. When the natural sunlight beams in, everything looks disgusting.

I will get a replacement stylus for my Shure V15 type 5. Not XMR. MR. I have a lot of useable cartridges,would like to get this working again.

I will make an effort to post here more often.

  Anyway, happy New Year again, and may the Gods of good fortune drop an original Marantz model 7 at your doorstep!


                                                   Ciao!

My favorite Christmas song ever

  This is without a doubt my absolute favorite Christmas song of all time.

 Progressive rock (read Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, etc.) was my biggest thing during my early audiophile days. I think I was probably 12 or 14 when it all started, FM had just become available (I'm dating myself, I know).

WCMF was one of Rochester's first FM stations, and when you looked at the FM program listings in the newspaper they listed WCMF as "progressive rock". This was always humorous to me, as progressive simply meant one song played after another, one song progressed into another. But at the time, this was the music they were playing, so it became labeled as progressive rock.

 I had subwoofers back when no one knew what they were, and the Moogs and pedal notes were so deep it just rocked the room. I have almost every ELP album still, I think Lucky Man actually took out one of the subs! Genesis- The  Lamb Lies Down on Broadway, and of course Pink Floyd's The Dark Side of the Moon. Pink Floyd music has survived much more so than ELP or Yes, but I still love to pop on these lps, dim the lights and go back in time to my junior high years.

 I visited WCMF back in the day, and saw two guys sitting on a carpeted floor in an unfinished room with two turntables (probably Technics)  and a microphone (long before Beck) and thought it rather anti climactic. They supplemented their station by doing equipment repairs, and I think I was there to pick something up.

 Nonetheless, these songs were an average of 20 minutes long (a typical album side), and were sometimes referred to as concept rock, or art rock. Try to interest the 20 somethings of today in something that long and profound! There were no drum machines, samplers or digital edits, strictly talent and a lot of creativity. The sound quality and production values were first rate. I would put them up against a lot of the stuff being recorded today.

 And it was all analog! Glorious analog!

Just lit my Christmas lights.......

 Just lit my Christmas lights, thinkin' I need a few other colors besides orange. Purple? Not good. Emissions leak. Green? Not good either,also a leak and ready to explode. Red? way too late. Call the fire department.Also remember these have between 300-500 or more volts running through them. If Santa urinates on them he will go up like a Tiki torch! Nice for keeping the house warm on this 20 degree night, though.Put a baking rack above a triode amp and the cookies came out perfect. Rumor has it that Rudolph's red nose came from attempting to sniff one of these.........  

Happy Thanksgiving!

 With headphones enjoying a resurgence in the industry, Dr. Dre, House of  Marley and others now have a new competitor, Mr. Bean.
 His first model is the Cranberry One, and your head becomes an integral part of the system (patent pending). This takes the "over the ear" category one step further. I might have tried this today, but not on any other holiday. Reasonably priced at 70 cents a pound. Twenty cents more if you want them to butter the balls, an optional tweak that makes it easier to take on and off. .
These are best used raw, as deep frying it will change the resonant frequency and Squash the highs.
Manufacturing these is a Gravy job, according to Bean. His green Bean casserole has pretty much reached its peak, and he was looking for a new venture, another piece of the Pie.Another Leg up on the rest of the world,he didn't want to just "Wing it".  A simple matter of Stuffing these in their packages. I won't Mince words, this is unique!  I will stay aBreast of his progress. Thank you in advance for laughing at at least some of this. Can't believe how popular headphones got again after all these years! This one may or may not be as popular.

  Seriously, hoping you all had a great day, I know I did. Got together with all the ladies in my life, Mother, Sister, Girlfriend. A year ago today I couldn't swallow, just diagnosed. Decent progress, and a lot to be thankful for this year, thank you for your interest and your visits, questions, emails,and contributions!  A lot of great people have come out of the woodwork for this blog, and it is making it all worthwhile!


                                                         Don

Tony Taddeo

It dawned on me that I made a significant omission in my April 2012 post on local area manufacturers.

   I was reading this month's issue of Stereophile, the industry update section, when the words "Digital Antidote" jumped out at me on page 16. "Wow", I thought. That was Tony Taddeo's biggest claim to fame years ago, and someone is reusing the moniker! Reading a little deeper, a company in England- iFi - is actually using his technology! Their Digital Antidote Plus  is based on his work and credits him accordingly.  

Tony started the Taddeo Loudspeaker Company, with an office on Elmwood Ave. in Brighton. The early antidotes he assembled himself. I would see Tony often in the shops around town, and if you have been following this blog you know that I don't have a great affinity for things digital. He always tried to get me to try one of these. I told him I had no use for CDs.

+

Basically a buffer stage that goes in between the line levels of your cd player and the preamp input, this was a filter that made digital sound presentable, kind of like unhooking your tweeters. As I shunned the equalizer/dynamic range expander/processor band aids years ago (I haven't even had bass and treble controls on my equipment in 40 years!), I wasn't quick to want to jump on this one. To this day I have not tried one, but there have been numerous people over the years that swear by these! Good to see that his technology is live and kicking- sadly many years after Tony's passing.

Tony was kind of special to me. As coincidence would have it, he was a counselor at camp Pathfinder in Algonquin park, Ontario Canada years ago. For one of the  seasons I was one of his campers. This goes back probably 45+ years. I remember laying in bed one night with him telling us a story, Dracula, aka the Bram Stoker version. In great detail, as I later read the book and he didn't leave much out. He definitely made life there a lot more bearable, I was a young kid who really didn't want to be there. 

My first re-acquaintance with him was at JB Sound, where his first attempt at an audio product was a pair of speakers. He wanted to bring them in and play them for us. "Sure", I said, really great to see him again after 

all those years. 

We put them on the shelf,probably next to a pair of Advents,one of our best sellers in the mid priced segment. Set up the comparator to flip back and forth, and his speakers sounded AWFUL. Mind you not a completely finished product by any stretch, more of a working prototype. He had been hyping these to me for months before he brought them in, a technology so "revolutionary" that he couldn't tell me any more about them. I remember them being extremely efficient, the top part of the cabinet being somewhat horn loaded.You could see the look in his face as we switched back and forth. He tried to keep a poker face but couldn't. A few years later, I remember seeing a pair of these as empty cabinets for sale at The Speaker Place parts store in Henrietta.  

 In all fairness, there have been some great speakers over the years that sounded lousy when you A/B'd them. The DCM Time Window is one that comes to mind. Yamaha NS 10Ms.  Energy, with their first model 22's demanded a separate room as part of their franchise agreement. A/B'ing  was not the way to accurately evaluate a speaker, but it is what sold them. People would pick the most impressive sound, later to realize listening fatigue after an hour or so. 

As time went by, he came up with more refined speaker designs, I saw a few at Soundworks, but never heard them. A few products came along that impressed him, I remember him spending an hour with a tape measure with a pair of Von Schweikert VR-4s. 

I remember him telling me that blue leds are more expensive than red ones.

His claim to fame will always be the Digital Antidote, and to have had some enduring success with an audio product in this industry is impressive. .